An anonymous reader quotes a report from Wired: When thousands of security researchers descend on Las Vegas every August for what's come to be known as "hacker summer camp," the back-to-back Black Hat and Defcon hacker conferences, it's a given that some of them will experiment with hacking the infrastructure of Vegas itself, the city's elaborate array of casino and hospitality technology. But at one private event in 2022, a select group of researchers were actually invited to hack a Vegas hotel room, competing in a suite crowded with their laptops and cans of Red Bull to find digital vulnerabilities in every one of the room's gadgets, from its TV to its bedside VoIP phone. One team of hackers spent those days focused on the lock on the room's door, perhaps its most sensitive piece of technology of all. Now, more than a year and a half later, they're finally bringing to light the results of that work: a technique they discovered that would allow an intruder to open any of millions of hotel rooms worldwide in seconds, with just two taps.

Today, Ian Carroll, Lennert Wouters, and a team of other security researchers are revealing a hotel keycard hacking technique they call Unsaflok. The technique is a collection of security vulnerabilities that would allow a hacker to almost instantly open several models of Saflok-brand RFID-based keycard locks sold by the Swiss lock maker Dormakaba. The Saflok systems are installed on 3 million doors worldwide, inside 13,000 properties in 131 countries. By exploiting weaknesses in both Dormakaba's encryption and the underlying RFID system Dormakaba uses, known as MIFARE Classic, Carroll and Wouters have demonstrated just how easily they can open a Saflok keycard lock. Their technique starts with obtaining any keycard from a target hotel -- say, by booking a room there or grabbing a keycard out of a box of used ones -- then reading a certain code from that card with a $300 RFID read-write device, and finally writing two keycards of their own. When they merely tap those two cards on a lock, the first rewrites a certain piece of the lock's data, and the second opens it.

Dormakaba says that it's been working since early last year to make hotels that use Saflok aware of their security flaws and to help them fix or replace the vulnerable locks. For many of the Saflok systems sold in the last eight years, there's no hardware replacement necessary for each individual lock. Instead, hotels will only need to update or replace the front desk management system and have a technician carry out a relatively quick reprogramming of each lock, door by door. Wouters and Carroll say they were nonetheless told by Dormakaba that, as of this month, only 36 percent of installed Safloks have been updated. Given that the locks aren't connected to the internet and some older locks will still need a hardware upgrade, they say the full fix will still likely take months longer to roll out, at the very least. Some older installations may take years.

At this year's SXSW festival, discussions on artificial intelligence's future sparked controversy during screenings of premiers like "The Fall Guy" and "Immaculate." Variety reports: The quick-turnaround video editors at SXSW cut a daily sizzle reel highlighting previous panels, premieres and other events, which then runs before festival screenings. On Tuesday, the fourth edition of that daily video focused on the wide variety of keynotes and panelists in town to discuss AI. Those folks sure seem bullish on artificial intelligence, and the audiences at the Paramount -- many of whom are likely writers and actors who just spent much of 2023 on the picket line trying to reign in the potentially destructive power of AI -- decided to boo the video. Loudly. And frequently.

Those boos grew the loudest toward the end of the sizzle, when OpenAI's VP of consumer product and head of ChatGPT Peter Deng declares on camera, "I actually think that AI fundamentally makes us more human." That is not a popular opinion. Deng participated in the session "AI and Humanity's Co-evolution with Open AI's Head of Chat GPT" on Monday, moderated by Signal Fire's consumer VC and former TechCrunch editor Josh Constine. Constine is at the start of the video with another soundbite that drew jeers: "SXSW has always been the digital culture makers, and I think if you look out into this room, you can see that AI is a culture." [...] The groans also grew loud for Magic Leap's founder Rony Abovitz, who gave this advice during the "Storyworlds, Hour Blue & Amplifying Humanity Ethically with AI" panel: "Be one of those people who leverages AI, don't be run over by it." You can hear some of the reactions from festival attendees here, here, and here.

Streamers narrowly avoided getting shut out at the 2024 Oscars: Netflix came away with just one trophy and Apple left empty-handed, after they garnered a total of 32 nominations. From a report: Netflix collected its one win for Wes Anderson's "The Wonderful Story of Henry Sugar," an adaptation of a Roald Dahl story, in the live action short film category. The 40-minute film, with a cast that includes Benedict Cumberbatch, Dev Patel, Ben Kingsley, and Ralph Fiennes, is the first Oscar for Anderson (who wasn't in attendance to receive the award). Heading into Sunday's 96th Academy Awards, Netflix led all studios and platforms with 19 nominations across 11 films, including seven for Bradley Cooper's "Maestro" -- which was shut out. Apple had picked up 13 nods, including 10 for Martin Scorsese's "Killers of the Flower Moon," which also drew a goose egg.

Since 2017, Netflix has now won 23 Oscars in all. But the best picture prize continues to elude the streamer as "Maestro" lost out to this year's awards powerhouse, "Oppenheimer." Nor has Netflix won in the lead actor or actress categories, coming up empty this year after four noms (Cooper and Carey Mulligan for "Maestro"; Colman Domingo for "Rustin"; and Annette Bening for "Nyad"). "Killers of the Flower Moon's" nominations included one for Scorsese in the best director category. His only Oscar to date came in 2007 for "The Departed" (for director). In 2020, his mafioso pic "The Irishman" for Netflix was shut out at the Oscars after receiving 10 nominations.

Samsung's 2024 OLED TV lineup will feature both QD-OLED and WOLED panels, making it harder for consumers to distinguish between the two technologies. The company announced three new series without specifying the panel types, but reports suggest that even within the S90D series, both QD-OLED and WOLED may be used. Samsung's decision to use both panel types is attributed to LG Display's request not to position WOLED as inferior to QD-OLED.

An anonymous reader quotes a report from The Guardian: The average toddler is missing out on hearing more than 1,000 words spoken by an adult each day due to screen time, setting back their language skills, a first-of-its kind study has found. The research, published on Tuesday in the Journal of the American Medical Association (Jama) Pediatrics, tracked 220 Australian families over two years to measure the relationship between family screen use and children's language environment. Families recorded all the audio around their child using advanced speech recognition technology over a 16-hour period on an average day at home. They repeated this process every six months between the ages of 12 and 36 months. The lead researcher, Dr Mary Brushe from the Telethon Kids Institute, said: "The technology we use is essentially like a Fitbit, but instead of counting the number of steps, this device counts the number of words spoken by, to and around the child." The device also picked up electronic noise, which the researchers analyzed to calculate screen time.

The researchers found young children's exposure to screens including TVs and phones was interfering with their language opportunities, with the association most pronounced at three years of age. For every extra minute of screen time, the three-year-olds in the study were hearing seven fewer words, speaking five fewer words themselves and engaging in one less conversation. The study found the average three-year-old in the study was exposed to two hours and 52 minutes of screen time a day. Researchers estimated this led to those children being exposed to 1,139 fewer adult words, 843 fewer child words and 194 fewer conversations. Because the study couldn't capture parents' silent phone use, including reading emails, texting or quietly scrolling through websites or social media, Brushe said they might have underestimated how much screen usage is affecting children.

A language-rich home environment was critical in supporting infants and toddlers' language development, Brushe said. While some educational children's shows were designed to help children's language skills, very young kids in the age group of the study could struggle to translate television shows into their own life, she said. This study did not differentiate between whether children were watching high- or low-quality screen content.

Warner Bros. Discovery said a password crackdown for its Max streaming service is coming later this year, joining competitors Netflix and Disney. TheWrap reports: JB Perrette, WBD's CEO and president of global streaming and games, said the initiative would launch later this year with a broader rollout in 2025. "We think, relative to the scale of our business, it's a meaningful opportunity," Perrette said during Morgan Stanley's 2024 Technology, Media & Telecom Conference in San Francisco on Monday. The push to crack down on password sharing comes as Warner Bros. Discovery narrowed its streaming loss to $55 million during its fourth quarter of 2023, down from a loss of $217 million a year ago. For the full year, it swung to a profit of $103 million, compared to a loss of $1.59 billion in 2022.

Looking ahead, WBD said its DTC business would have "modestly negative" EBITDA in the first half of 2024 before turning profitable in the second half. WBD is targeting $1 billion of direct-to-consumer EBITDA in 2025. In its fourth quarter, Warner Bros. Discovery added 1.8 million subscribers in its direct-to-consumer division for a total of 97.7 million. The DTC segment's results include Max, Discovery+ and traditional HBO cable subscriptions. Parrette also discussed interest in transactional ads, notes Ars Technica. Per Perrette: "On the ad format size, we've made lots of improvements from where we were, but we still have a lot of ad format enhancements that will give us more things that we can go to marketers with, [like] shoppable ads [and] other elements of the ad format side of the house that we can improve."

Piracy was traditionally seen as something that predominantly young males were interested in. This is a largely outdated representation of reality, as girls and women began to catch up a long time ago. In some countries, including Indonesia, more women pirate music, movies, and TV-shows than their male counterparts. TorrentFreak reports: [N]ew findings published by researchers from Northumbria University Newcastle, which include gender, are worth highlighting. The survey data, looking at piracy trends in Thailand and Indonesia, was released by Marketing professor Dr. Xuemei Bian and Ms. Humaira Farid. The results were presented to WIPO's Advisory Committee on Enforcement recently and the associated presentation (PDF) was published online. Through an online survey and in-person interviews, the research aims to map consumer attitudes and behaviors in Indonesia and Thailand, particularly in connection with online copyright infringement.

One of the overall conclusions is that piracy remains a common activity in both Asian countries. Pirates are present in all age groups but and music, movies en TV-shows tend to be in highest demand and younger people. Those under 40, are more likely to pirate than their older counterparts. These findings are not out of the ordinary and the same trends are visible in other countries too. Interestingly, however, some notable differences between the two countries appear when gender is added to the mix. The tables below show that women are more likely to pirate than men in Indonesia. This is true for all content categories, except for software, where men are slightly in the lead. In Thailand, however, men are more likely to pirate across all categories. The researchers do not attempt to explain these differences. However, they show once again that 'dated' gender stereotypes don't always match with reality. And when they have little explanatory value, one can question whether gender is even relevant in a piracy context.

Looking at other differences between Thai and Indonesian consumers there are some other notable findings. For example, in Indonesia, 64% of the respondents say they're aware of the availability of pirated movies and TV-shows on YouTube, compared to 'just' 32% in Thailand. Indonesian consumers are also more familiar with music piracy sites and pirate much more frequently than Thai consumers, as the table below shows. Finally, the researchers also looked at various attitudes toward piracy. This shows that Thai pirates would be most likely to stop if legal services were more convenient, while Indonesian pirates see cheaper legal services as the largest discouraging factor.

ZipK writes: Cord Cutters New reports that Roku has rolled out new terms of service that require users to accept individual arbitration. To gain acceptance, Roku devices pop up a dialog box that can only be dismissed if you accept the new terms or turn off your Roku and stop using it. As expected, much discussion has ensued in the Roku community.

Per the Roku Dispute Resolution Terms, users can opt out within 30 days of being subject to the new terms by sending a surface mail request to General Counsel, Roku Inc., 1701 Junction Court, Suite 100, San Jose, CA 95112. One poster in the community forum noted that the effective date of the change was Feb 20th, which may shorten the 30 day period for opting out. Longtime Slashdot reader blastard also shared the news.

"The Mandalorian & Grogu and Daisy Ridley's untitled Star Wars movie have received working titles ahead of their respective production starts," reports CBR: According to The Cosmic Circus, The Mandalorian and Grogu will be filmed under the working title "Thunder Alley", while Ridley's Star Wars movie will be known as "New Jedi Order..." The Mandalorian & Grogu will be the first Star Wars movie to enter production since 2019's The Rise of Skywalker, the ninth and final installment in The Skywalker Saga...

[In Ridley's untitled Star Wars movie], Ridley will reprise her role from the Star Wars sequel trilogy as Rey, with the new movie set to follow the fan-favorite Jedi as she rebuilds the Jedi Order roughly 15 years after the events of The Rise of Skywalker... Other Star Wars movies in the works include James Mangold's upcoming feature about the origins of The Force, set during the Dawn of the Jedi era; and Dave Filoni's feature-length film set in the New Republic era that will conclude post-Return of the Jedi storylines that began in The Mandalorian, The Book of Boba Fett, Ahsoka and the upcoming Skeleton Crew.
"California's Film Commission announced in a news release Monday that Lucasfilm's upcoming feature film The Mandalorian & Grogu will be produced entirely in the state," reports the Press Democrat, "one of 15 movie productions coming to fruition thanks to California's Film and TV Tax Credit Program." Based on the popular Disney+ series and directed by "The Mandalorian" creator Jon Favreau, "The Mandalorian & Grogu" is set to be the first film in the franchise's 46-year history to be shot entirely in the state and the biggest blockbuster in the history of the commission's tax credit program, bringing approximately $166 million to the state's economy through wages and expenditures, the release said. According to The Hollywood Reporter, the film will get $21.8 million in tax credits.

The Mandalorian & Grogu, which is due to begin filming later this year and is currently expected to be released sometime in 2026, will continue the story of the titular lone bounty hunter and his alien baby companion that began in the three-season series, Lucasfilm announced last month.

Amazon has issued an update to Fire TV streaming devices and televisions that has broken apps that let users bypass the Fire OS home screen. From a report: The tech giant claims that its latest Fire OS update is about security but has refused to detail any potential security concerns. Users and app developers have reported that numerous apps that used to work with Fire TV devices for years have suddenly stopped working. As first reported by AFTVnews, the update has made apps unable to establish local Android Debug Bridge (ADB) connections and execute ADB commands with Fire TV devices.

The update, Fire OS 7.6.6.9, affects several Fire OS-based TVs, including models from TCL, Toshiba, Hisense, and Amazon's Fire TV Omni QLED Series. Other devices running the update include Amazon's first Fire TV Stick 4K Max, the third-generation Fire TV Stick, as well as the third and second-generation Fire TV Cubes and the Fire TV Stick Lite. A code excerpt shared with AFTVnews by what the publication described as an "affected app developer," which you can view here, shows a line of code indicating that Fire TVs would not be allowed to make ADB connections with a local device or app. As pointed out by AFTVnews, such apps have been used by Fire TV modders for abilities like clearing installed apps' cache and using a different home screen than the Fire OS default.

Streaming revenue will overtake pay TV subscription revenue in the U.S. for the first time later in 2024, helped by the addition of ad tiers by various streamers, according to a new forecast. From a report: Total revenues from streaming, including subscription and advertising revenue, will start topping revenue from pay TV subscriptions in the third quarter of 2024, research company Ampere Analysis projects in a new study unveiled on Monday. "Streaming will continue to race ahead as traditional pay TV declines -- with the value of pay TV in 2028 expected to fall to half the value it saw at its peak in 2017," it predicts. Streaming subscribers overtook pay TV subs in the U.S. in 2016, but "streaming's lower average revenue per user (ARPU), which currently sits at around a tenth that of pay TV, means that revenue is only now catching up," Ampere explained. U.S. pay TV revenue will still be narrowly ahead of streaming revenue in the second quarter at $17.1 billion to $17 billion, followed by a $17.3 billion to $16.7 billion streaming lead in the third quarter, according to the research firm's projections.

Netflix's new sci-fi drama Spaceman centers on Czech astronaut Jakub Procházk, described by Polygon as "painfully introverted, emotionally repressed, and above all, quiet... so muted and compressed, he seems like a trauma victim." The film, adapted from the 2017 novel Spaceman of Bohemia written by Czech author Jaroslav KalfaÅ(TM), is a solemn drama in the mold of Andrei Tarkovsky's Solaris, or to some degree, Christopher Nolan's Interstellar. The story revolves around Jakub's disintegrating frame of mind after eight months alone in space as he investigates a glowing cosmic phenomenon that's become visible from Earth. Meanwhile, his wife Lenka (Carey Mulligan), heavily pregnant and going through her own breakdown back home, decides to leave Jakub, and his handlers (Isabella Rossellini among them) work to keep him from finding out. And then the giant spider appears, and Jakub worries that he's losing his mind.
CNN says Sandler's deal with Netflix "means pretty much doing whatever he wants, which, in the case of Spaceman, means traveling to the furthest reaches of space as the near-solitary star of a pretentious, message-heavy drama."

You can watch a trailer here. The movie enjoys a "limited theatrical release" this weekend, and will stream on Netflix starting March 1.

Amazon is pushing back against reports that its Freevee service is shuttering. The Wrap: AdWeek reported the news, which it said is part of an effort by the tech giant to shift its focus to Prime Video. Sources familiar with the matter told the outlet that sunsetting Freevee could happen sometime within the second quarter. However, a spokesperson for Amazon said there are "no changes" coming to Freevee.

"Amazon Freevee remains an important streaming offering providing both Prime and non-Prime customers thousands of hit movies, shows and originals, all for free," they added. Freevee, which was formerly known as IMDb TV until a rebrand in 2022, offers thousands of premium movies and TV shows, including originals such as "Bosch: Legacy," "Judy Justice" and "Jury Duty" and over 150 free ad-supported streaming TV (FAST) channels.

jbmartin6 shares a report from Phys.Org: Threatening messages aimed to prevent digital piracy have the opposite effect if you're a man, a new study from the University of Portsmouth has found. According to the research, women tend to respond positively to this kind of messaging, but men typically increase their piracy behaviors by 18%. [...] This paper studies how effective anti-piracy messages are as a deterrent, examining the change in TV and film piracy intentions among 962 adults compared with their past behavior. The three messages examined in the study were verbatim copies of three real-world anti-piracy campaigns. Two of the campaigns used threatening messages to try to combat piracy and the third was educational in tone.

One of the threatening messages was from crime reduction charity, Crimestoppers, which focused on the individual's risk of computer viruses, identity fraud, money and data theft and hacking. The other message was based on a campaign by the French government, which used a "three strike" process, whereby infringers were given two written warnings before their internet access was terminated. The educational message was taken from the campaign "Get It Right from a Genuine Site," which focuses on the cost to the economy and to the individual creative people, and signposts consumers away from piracy sites and towards legal platforms such as Spotify or Netflix.

The study found that one threatening message influences women to reduce their piracy intentions by over 50%, but men increase their piracy behaviors. The educational messages had no effect on either men or women. "The research shows that anti-piracy messages can inadvertently increase piracy, which is a phenomenon known as psychological reactance," explained [lead author, Kate Whitman, from the University of Portsmouth's Centre for Cybercrime and Economic Crime]. "From an evolutionary psychology point of view, men have a stronger reaction to their freedom being threatened and therefore they do the opposite." Moreover, the study found that participants with the most favorable attitudes towards piracy demonstrated the most polarized changes in piracy intentions -- the threatening messages increased their piracy even more. The study has been published in the Journal of Business Ethics.

"I'm not so sure about the author's attribution of this difference to evolutionary psychology, so looking forward to some educational comments on that," adds Slashdot reader jbmartin6.

Disney is outsourcing its DVD and Blu-ray disc business to Sony Pictures Entertainment. Variety reports: As part of the deal, Sony will market, sell and distribute all Disney's new releases and catalog titles on physical media to consumers through retailers and distributors in the U.S. and Canada. Disney will continue to manage its own digital media, like premium video-on-demand. It's unclear if this will result in layoffs at Disney. However, the studio is expected to conduct an internal assessment across all business functions that support physical entertainment amid the transition to Sony, according to sources familiar with the agreement.

According to Disney, the licensing model allows the studio to continue to offer films and TV shows through physical retailers and to respond to consumer demand more efficiently. The company said the shift is consistent with strategies it's implemented companywide, as well as transitions in other markets.

In a new report today, Nielsen found that YouTube is once again the overall top streaming service in the U.S., with 8.6% of viewing on television screens. Netflix was a close second at 7.9% of TV usage. TechCrunch reports: In a blog post celebrating the achievement, the Google-owned streaming service announced that viewers now watch a daily average of over 1 billion hours of YouTube content on their televisions, which could indicate that there's a preference for user-generated videos among U.S. consumers rather than traditional TV shows. Sixty-one percent of Gen Z reported that they favor user-generated content over other content formats. [...]

Although YouTube may have precedence in the living room, TikTok continues to dominate on mobile devices. The short-form video app recently began testing the ability for TikTokers to upload 30-minute videos, which could step on YouTube's toes. TikTok also entered the spatial reality space, launching a native app on the Apple Vision Pro. Meanwhile, YouTube decided to not build a dedicated app for the device.

Walmart has agreed to buy TV maker Vizio, the companies announced Tuesday, as the largest U.S. retailer grows its high-profit ad business. From a report: Walmart will acquire Vizio for $2.3 billion, or $11.50 per share, in cash. Vizio shares, which spiked after reports of the deal first emerged last week, closed at $9.53 on Friday. Walmart and its Sam's Club warehouse chain have long been major sellers of Vizio devices. But in buying the company, Walmart touted the potential to boost its ad business through Vizio's SmartCast Operating System, which allows users to stream free ad-supported content on their TVs.

An anonymous reader quotes a report from Ars Technica: On Thursday, AMC notified subscribers of a proposed $8.3 million settlement that provides awards to an estimated 6 million subscribers of its six streaming services: AMC+, Shudder, Acorn TV, ALLBLK, SundanceNow, and HIDIVE. The settlement comes in response to allegations that AMC illegally shared subscribers' viewing history with tech companies like Google, Facebook, and X (aka Twitter) in violation of the Video Privacy Protection Act (VPPA). Passed in 1988, the VPPA prohibits AMC and other video service providers from sharing "information which identifies a person as having requested or obtained specific video materials or services from a video tape service provider." It was originally passed to protect individuals' right to private viewing habits, after a journalist published the mostly unrevealing video rental history of a judge, Robert Bork, who had been nominated to the Supreme Court by Ronald Reagan.

The so-called "Bork Tapes" revealed little -- other than that the judge frequently rented spy thrillers and British costume dramas -- but lawmakers recognized that speech could be chilled by monitoring anyone's viewing habits. While the law was born in the era of Blockbuster Video, subscribers suing AMC wrote in their amended complaint (PDF) that "the importance of legislation like the VPPA in the modern era of datamining is more pronounced than ever before." According to subscribers suing, AMC allegedly installed tracking technologies -- including the Meta Pixel, the X Tracking Pixel, and Google Tracking Technology -- on its website, allowing their personally identifying information to be connected with their viewing history. [...]

If it's approved, AMC has agreed to "suspend, remove, or modify operation of the Meta Pixel and other Third-Party Tracking Technologies so that use of such technologies on AMC Services will not result in AMC's disclosure to the third-party technology companies of the specific video content requested or obtained by a specific individual." All registered users of AMC services who "requested or obtained video content on at least one of the six AMC services" between January 18, 2021, and January 10, 2024, are currently eligible to submit claims under the proposed settlement. The deadline to submit is April 9. In addition to distributing the $8.3 million settlement fund among class members, subscribers will also receive a free one-week digital subscription.

Amazon faces a class-action lawsuit accusing the company of false advertising and deceptive practices because Prime Video now serves commercials by default. Variety reports: "For years, people purchased and renewed their Amazon Prime subscriptions believing that they would include ad-free streaming," the lawsuit says. "But last month, Amazon changed the deal. To stream movies and TV shows without ads, Amazon customers must now pay an additional $2.99 per month ... This is not fair, because these subscribers already paid for the ad-free version; these subscribers should not have to pay an additional $2.99/month for something that they already paid for."

The case was filed on behalf of Wilbert Napoleon, a resident of Eastvale, Calif., who says he's a Prime member. "Plaintiff brings this case for himself and for other Amazon Prime customers," the suit said. The complain alleged that Amazon violates Washington State and California state consumer protection laws that prohibit unfair competition and deceptive business acts and practices. Amazon's conduct, as alleged, "was immoral, unethical, oppressive, unscrupulous and substantially injurious to consumers,â according to the lawsuit. The suit seeks unspecific monetary damages, including punitive damages, as well as an injunction to block Amazon's alleged deceptive conduct.

The suit was filed Feb. 9, after Amazon starting on Jan. 29 began running ads in Prime Video content in major markets including the United States unless users opt to pay extra ($2.99/month in the U.S.) to have an ad-free experience. Some analysts have forecast Prime Video ads generating more than $3 billion in revenue in 2024.

After climbing the charts of Apple's App Store, the trendy Kimi app, with its collection of bootlegged movies, has disappeared. From a report: Pretending to be a spot-the-difference vision-testing game, the widely downloaded app ranked above Netflix, Hulu, and Amazon Prime Video in Apple's charts this week for free entertainment apps before it was removed. Without having to pay for anything or log in to any kind of account, iPhone owners could previously use Kimi to browse a wide selection of bootlegs for popular movies and TV shows. Many of the movies up for Best Picture at this year's Oscars were on Kimi, at varying levels of quality.

Poor Things was included in a grainy, pixelated state, but a high-quality version of Killers of the Flower Moon was on Kimi to stream, although an intrusive ad for online casinos was splashed across the top. That definitely isn't the viewing experience Martin Scorsese imagined for audiences. Not just limited to movies, viewers were also able to access episodes of currently airing TV shows, like RuPaul's Drag Race, through the Kimi app. Who was behind this piracy app? It remains a mystery. The developer was listed as "Marcus Evans" in the app store before Kimi was taken down, and this was the only app listed under that name, likely a pseudonym.